Thursday, July 14, 2011

Sedona encaustics 2011

110714 encaustic

Sedona encaustics 2011

110713 encaustic

Sedona encaustics 2011

110709 encaustic

Sedona encaustics 2011

110708 encaustic ASPIRATIONS for a project at Pumphouse Gallery in Sedona, AZ

Sedona encaustics 2011

110707 encaustic A variation of an earlier one with more contrast added.

Sedona encaustics 2011

110706 encaustic

Sedona 2011 Encaustics

110705 encaustic

Tuesday, July 12, 2011

Summer Work in Sedona, AZ

June 26th, 2011 encaustic

Summer Work in Sedona, AZ

June 25th, 2011 encaqustic

Summer Work in Sedona, AZ

June 24th, 2011. This encaustic will be on exhibit July 2011 in the SEVEN X 11 : ART FOR ART EXHIBITION at the Urban Institute of Contemporary Arts in Grand Rapids, Michigan for the opening of their new building.

Summer Work in Sedona, AZ

June 23rd, 2011 encaustic

Summer Work in Sedona, AZ

June 22nd, 2011 encaustic

Summer Work in Sedona, AZ

June 21, 2011 Variation on an earlier encaustic.

Summer Work in Sedona, AZ

June 20th, 2011 encaustic

Summer Work in Sedona, AZ

June 19th, 2011 an encaustic version of an acrylic painting I did earlier in this series.

Summer Work in Sedona, AZ

June 16th, 2011 encaustic

Summer Work in Sedona, AZ

June 15th 2011 encaustic

Summer Work in Sedona, AZ

June 14th, 2011 encaustic

Summer Work in Sedona, AZ

June 13th, 2011

Summer Work in Sedona, AZ

June 12th, 2011 encaustic

Summer Work in Sedona, AZ

Summer Work in Sedona, AZ June 11, 2011 encaustic.

Summer Work in Sedona, AZ

Encaustic done June 10th, 2011 in Sedona, AZ.

Summer work in Sedona, AZ

"A Piece of Justin" June 9th, 2011 encaustic after a small area of a painting by Justin Ankenbauer.

Summer Work in Sedona, AZ

Encaustic done June 8th, 2011 in Sedona, AZ
This is encaustic and was done on June 7th, 2011 in Sedona, AZ.

Saturday, June 25, 2011

Recent Encaustic

Here is a recent encaustic painting. It was completed on the 6th of June, 2011 in Sedona, AZ. It is like an earlier version but this one has a heavier wax texture.

Sunday, June 19, 2011

Grilling Encaustics








Here is my encaustic set up in Sedona, AZ using a grill at a low temperature suitable for the encaustic technique. R & F pigment blocks, Lyra encaustic crayons, Da Vinci Encausticks, Caran d'Ache crayons, Crayola crayons, Lyra Aquacolor clockwise.
Posted by Picasa

110605 encaustic





















Revisited Belzoni Series subject done in heavy encaustic.
Posted by Picasa

Thursday, June 9, 2011

New Encaustic Paintings

These are recent encaustic paintings. They were shipped to Healing Arts Center in Jasper, Indiana and all four sold 30 minutes after they were displayed in the gallery. May have to do some more!

Tuesday, June 7, 2011

When Just a Dab Will Do.

Most artists have some dry pastels in their studio. Whenever you need a little spot of a certain color or a special glaze here is a quick solution. Use either matt acrylic medium or gloss acrylic medium and scrape with a knife blade or use a cheese grater or rub the pastel on sandpaper and collect the dust. Wear a mask of course. Mix this unique color with the medium to make an acrylic paint or glaze. Several different pastels may be combined as well. Works fine if you wish to add the dry pigments to beeswax damar mix for encaustic. Just do not mix the acrylic mix with the encaustic mix.

Monday, June 6, 2011

Natural Colors Using Ochre.

In my last post YELLOW OCHRE was listed as one of the six necessary colors.

If you add varying amounts of YELLOW OCHRE or YELLOW OXIDE to the colors I showed in the circle last time you will get colors seen in the natural world.

Starting with the YELLOW MEDIUM  on the left add some YELLOW OCHRE   on the right to get the color in  the middle.

Continuing:

Do the same to YELLOW GREEN, GREEN, BLUE GREEN, ULTRAMARINE BLUE, BLUE, BLUE VIOLET,  VIOLET, RED VIOLET, RED, RED ORANGE, ORANGE and BLACK.

By varying the amounts you will get numerous colors. By adding WHITE, and / or BLACK to the mix the tints and shades will be very useful in painting from nature.

Saturday, June 4, 2011

All You Really Need. Colorwise.

Paint manufacturers offer an endless number of colors to tempt us but what they do not tell us is that we only need six colors plus black and white to mix everything they offer.

YELLOW MEDIUM
PHTHALO GREEN (blue cast)
PHTHALO BLUE (green cast)
THIO VIOLET or QUINACRADONE MAGENTA (ACRA)
RED LIGHT (Scarlet) (Cadmium Red Light) or (Napthol Red Light)
***THIS IS NOT LIGHT RED WHICH IS      A BRICK COLOR***
YELLOW OCHRE or YELLOW OXIDE
WHITE
BLACK



With these six colors you can mix a complete color wheel with saturated pure colors.
Mix YELLOW LIGHT by adding WHITE to YELLOW MEDIUM.
The color circle is easy:
Y-YYG-YGG-G-BGG-BBG-B-BBV-BVV-V-RVV-RRV-R-RRO-ROO-O-OOY-OYY

Add YELLOW OCHRE to any of these to alter saturation.
Add WHITE and / or BLACK to any for browns and natural greens or to make tints and shades.

Master color and do not let paint companies master you.

Friday, June 3, 2011

Don't Throw Away Your Seafood Forks!

Seafood forks make great encaustic tools. I got a set of them at the supermarket. The spatula end is good for applying hot wax and smoothing it out whilst the forked end is good for texture.
http://www.legendcookshop.co.uk/seafood-forks-8695-0.html

Tuesday, May 31, 2011

Tjanting Anyone?

The traditional Tjanting tool for Batik would be a delight to use to make flowing lines in hot wax.

Here is how I made mine. I found an old brass metal ballpoint pen. I cut off @ an inch with a hacksaw.



With a metal file I removed enough metal at the small round tip to make a 5/64 " hole.


Drill another hole 5/32 " @ 1/4 inch from the opening.



Cut off the head of a 5/32" screw leaving @ an inch.

Thread this 5/32" rod just into the side opening on the metal cone.

Cut the metal ball point pen cartridge so that it is @ 1 1/2". Insert this into the well of the cone.

Now, add the threaded rod to the wood burning tool with heat regulator mentioned in my earlier blogs.

Put some heated wax with a brush into the well of the cone and turn the heat on the iron until it is warm enough to keep the wax flowing.

To use, just push down until the tip of the ball point is pushed up from the hole in the cone and wax will flow until you raise the cone and the ball point tip falls back down to block the hole.

Here are some options for the cone:



Small metal cone pocket for flowers.


Brass cones for jewelry making.


Metal cake decorating cone tips.




Brass bullet shell casings:


Any of these can be adapted to make your own Tjanting.